Macbeth
Macbeth
Eagle’s Nest Theatre
The Open Stage
2 August 2008
Shakespeare’s classic tale of power and deception, Macbeth, returns to the stage in a new production by Eagle’s Nest Theatre. Directed by Rachel Baring, the production is true to the original, leaving the setting in old Scotland, allowing for modern costumes, casting and small prop touches.
As with much of Shakespeare, the genius of Shakespeare’s words shines through when their humanity is allowed to emerge. The temptation to ‘recite’ the text, rather than playing it, was evident in the production (as in most), but was admirably overcome by much of the cast. Particularly of note was Shireen Morris’ portrayal of Ross, which was amusing, human and eminently likeable, with her first entrance evoking giggles from the sheer force of her personality.
Sonya Kerr’s was particularly impressive as Lady Macbeth, bringing an elegance to the role that made a lovely contrast to the final moments of her character. Even in madness, she evoked a fiery strength and beauty that stole the stage.
The plethora of minor characters were well-played, with Claire McArdle and Melanie Trembath creating a warm and comfortable familial atmosphere as Lady MacDuff and her son. The three Weird Sisters were similarly enjoyable to watch, being both stunningly beautiful and deliciously malevolent.
With small modern touches, a stunning cast, and some real engagement with the text of Shakespeare’s classic, Eagle’s Nest Theatre’s Macbeth is a strong and enjoyable night of classic theatre. As the body count rises (as is it wont to do in any of Shakespeare’s tragedies), the energy similarly rises to its final, powerful, inevitable conclusion.