A Song To Sing, O!
A Song to Sing, O!
Gilbert and Sullivan Opera Victoria
Melba Hall
June 21 2008
Set in a dressing room of the iconic Savoy Theatre, Melvyn Morrow’s A Song To Sing, O! charts the career of George Grossmith, probably Gilbert and Sullivan’s most famous performer. Along the way, audiences are treated to Gilbert and Sullivan classics (often those of the characters that Grossmith created) and Grossmith originals spanning his 12 year career at the Savoy.
Although much of the show is a celebration of Gilbert and Sullivan’s music (as well as an insight into the lives of the men and women who made their shows what they are today) the true joy of the show comes in Morrow’s writing between songs. Grossmith’s character is clever and witty, full of anecdotes and G&S quotes, tripping from his tongue like the words of his signature patter songs.
Ron Pidcock takes the role of Grossmith in his stride, attacking the words with verve and a comfortable familiarity. The role is highly challenging, with more than a dozen songs over a variety of characters, and no respite from the stage aside from the interval. Pidcock’s energy never flags, remaining bouncy and energetic ’til the last.
It is obvious that the show has been adapted by the writer from a one-man show, as the vast majority of the dialogue (or, rather, monologue) is taken by Grossmith, with only occasional interjections from supporting characters, to further the story, provide a face for characters, or act out the musical interludes. The supporting cast play their characters well, (often changing from one to another in a short space of time) and provide colour and amusement throughout the show.
As I have come to expect from the Gilbert and Sullivan Society, set dressing and costuming was superb, with the stage of Melba Hall being transformed into both a dressing room and the stage of the Savoy theatre, costume pieces cunningly concealed around the set.
As much as A Song To Sing, O! is a celebration of Gilbert and Sullivan’s musical genius, it is the recognition of Grossmith’s personality and talent in perfecting the roles that makes it a hit. With a range of G&S standars and original music, it is enjoyable, fun – and just a little bit silly.